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Leighton

 

 

 

SLEEPING BEAUTY

Belvedere

Vienna

SLEEPING BEAUTY
Masterpieces of Victorian Painting from Museo de Arte de Ponce
15 June to 3 October 2010
The work Flaming June from 1895, one of the most famous paintings in art history by the English
painter Frederic Leighton, and fve masterpieces by Edward Burne-Jones, monumental in part,
constitute the highlights of the summer exhibition at the Lower Belvedere.
The show Sleeping Beauty opens up an imagery of early Modernism hitherto largely unknown
in Austria and offers a visual foray into art production in mid-nineteenth-century England. The
Pre-Raphaelites, a group of artists established in London in 1848, aimed at a renewal of art as
opposed to offcial Victorianism. The group’s ideological orientation was based on the contents
of English literature and the country’s history, as well as religious themes that were related to
everyday life in an unprecedented fashion.
Analyses and comparative examples visualize the art historical context of the works on display,
which are by the hands of such artists as Lord Frederic Leighton, Edward Burne-Jones, Dante
Gabriel Rossetti, John Everett Millais, and William Holman Hunt and relate them to Austrian fn-
de-siècle art.
The Sleeping Beauty can be seen as the prelude to a more intensive exploration of Victorian art at
the Belvedere; the exhibition will be followed by a special presentation on the subject of European
Symbolism and a show devoted exclusively to the Pre-Raphaelites.
A major part of the current show’s exhibits comes from the Museo de Arte de Ponce in Puerto
Rico, which was founded by the industrial tycoon Don Luis Alberto Ferré Aguayo in 1959 and
is currently being rebuilt. After stops in London, Madrid, The Hague, and Stuttgart, the show in
Vienna is the last opportunity of seeing these extraordinary paintings before they return to Puerto
Rico.
The Belvedere’s exhibition revolves around the holdings of the Caribbean collection and is divided
into four chapters, with the frst demonstrating the superior quality of the collection compiled by
Ferré within a very short time. One of the principal works is no doubt the painting The Escape of
a Heretic by John Everett Millais from 1857. The other three chapters illustrate how various motifs
of sleep determined the artists’ imagery. Mythology and fairy tales offered them a considerable
number of reference points. In this context, the Belvedere presents Burne-Jones’s painted
illustrations for the Grimm Brothers’ fairy tale Sleeping Beauty, which the artist, in his own pictorial
language, transformed into Briar Rose. Burne-Jones is also the author of the huge painting The
Sleep of Arthur in Avalon, which measures almost 20 square metres.
The exhibition concludes with the didactically conceived chapter on Flaming June, Frederic
Leighton’s masterpiece. The focus is on the work’s formal genesis, as well as on how the
sensational subject was received in prudish Victorian England, but also on the painting’s
conception according to classical aesthetic principles, the erotic elements, and the hitherto open
question of who posed as a model.

Rosetti

 

 

 

Self-Portrait With A Black Eye, by Lucian Freud.

 

Lucian Freud black-eyed portrait fetches £2.8m

 

Lucian Freud's Self-Portrait With A Black Eye has sold for £2,841,250 at Sotheby's in London.

The estimate for the work, which shows the artist with a swollen eye following a punch-up with a taxi driver, was £3m to £4m.

Sotheby's said the rediscovered 1978 work was his "most important self-depiction ever to appear at auction".

The top lot at the London Evening Sale of Contemporary Art was Willem De Kooning's Untitled XIV, fetching £4m.

Self-Portrait With A Black Eye, which has never been displayed in public before, has remained in the same private collection for more than 30 years.

Freud, now 87, was in his late 50s when he painted the work.

He once said that he "used to have a lot of fights".

"It wasn't because I liked fighting, it was really just that people said things to me to which I felt the only reply was to hit them."

Sotheby's sale, which also included Freud's 1981 oil on canvas Guy and Speck and his Portrait of Christian Berard, fetched a total of £54.1m.

Yves Klein's fire painting F 88 sold for £3.3m.

BBC

 

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24:2010 – The birth of a new decade.

 

It is an ambitious project that will not be complete until the end of the next decade. But seven years in and 24photography is still going strong – creating a social commentary that will last for generations.

 

Featuring a number of critically acclaimed artists from across the globe the group’s latest exhibition is set to be the best yet.

 

Their idea is simple: 24 photographers, documenting the first 24 hours of every New Year for 24 years.

 

Each individual is tasked with capturing a single moment within their allotted hour, creating a unique collection of images linked only by time. The original 24 photographers met while studying on a postgraduate photography course at Central St Martin’s in London. Although their various careers have all led them down different paths they reunite to continue towards their goal. This year the group decided to use the theme of Rebirth as their inspiration, drawing on their experiences and surroundings to create a distinctive set of images.

 

Claire Spreadbury, founder of 24photography, said:  “Each year the photographs submitted for 24 surprise and excite me. What I find most interesting is how differently people interpret the concept - as well as what people actually get up to on New Year's Day! This year's images in particular are outstanding: the 24 artists take you on a roller-coaster ride through 24 hours, from the banks of the Seine to cocktail bars and moonlit golf courses.”

 

Previous exhibitions have proved extremely successful with the group keen to display their work in unusual but accessible locations (the fountains of Trafalgar Square, the SS Robin in Docklands, Greenwich Park and Soho Square to name just a few). And this year’s venue Golden Square – at the heart of London’s media industry - promises to be just as exciting.

 

 

 

 

 

 

Brad Pitt, Las Vegas 1994 © Annie Leibovitz

Brad Pitt, Las Vegas 1994 © Annie Leibovitz. Courtesy of Vanity Fair

Mikhail Baryshnikov and Rob Besserer, Cumberland Island, Georgia, 1990 © Annie Leibovitz

Mikhail Baryshnikov and Rob Besserer,
Cumberland Island, Georgia, 1990
© Annie Leibovitz

My Parents, Peter’s Bond Beach, Wainscott, Long Island, 1992 © Annie Leibovitz

My Parents, Peter’s Bond Beach, Wainscott,
Long Island, 1992 © Annie Leibovitz

 

The exhibition “Annie Leibovitz – A Photographer's Life 1990 – 2005”at KUNST HAUS WIEN offers an unusual glimpse of the oeuvre of one of the most famous portrait photographers of our time. In addition to her portraits of famous personages, which have long since become icons of photographic art, the 150 works on display include photographs from Leibovitz's private life that have never been exhibited before. The result is a unique chronology, a composite of family album, diary and assignment work. The exhibition was organised by the Brooklyn Museum, New York and is being sponsored by American Express.

Portraits of artists and politicians such as Mikhail Baryshnikov, William S. Burroughs, Demi Moore, Bill Clinton, Agnes Martin, Mick Jagger, Matthew Barney, Chuck Close, Robert de Niro and Scarlett Johansson form one core of the exhibition. Scenes from the photographer’s private life – the births of her three daughters, or the illness and death of Leibovitz's father – are juxtaposed with landscape photography, e.g. from the USA or Jordan, and reportages such as the one Leibvoitz did on the siege of Sarajevo.

Annie Leibovitz’s photographs for magazines have chronicled American popular culture since the 1970s. The photographer sees her work, which has been displayed in numerous museums throughout the world, as a unified whole: “I don't have two lives,” Leibovitz says. “This is one life, and the personal pictures and the assignment work are all part of it.” The current exhibition follows up on KUNST HAUS WIEN’s first presentation of works by Annie Leibovitz in 1993, which showed photographs created during the years 1970 to 1990.

 

Exclusively for Art Elite Magazine - Interview with

Antonio Ricci  Read Interview

© Antonio Ricci

Can you buy Stardust?    Read interview

 

Yes is the answer - at the Riflemaker Gallery off Regent Street.
"$160 000 will buy you Heavenly Fragments of the Stardust Ruins, created by the artist Liliane Lijn of Aerogel cones, disks and fragments with the micro inclusions of actual cosmic dust," - explains the gallery director Tot Taylor.
 
Sophisticated aquarium-like installations are housing mysterious Aerogel - the only material in the whole Universe that successfully traps interstellar particles.  The gel can only be seen under the bright projector light and is totally invisible otherwise due to its virtually 98% pure air content.  Multicoloured lights are running through the magic gel, creating the mirage of flickering Stardust.  The inter-space effect is enhanced by the soundtrack, playing 43 versions of the Stardust song.  But the minute the lights are gone - the show melts in front your eyes like the snow flakes.
You can't see the dust and you can't see the gel.  What can you see then?  You can see art, inspired by science. You get intrigued and captivated by the magnificent performance of light and sound that came as a result of Liliane Lijn's three-months residency with the Space Sciences Laboratory, California in 2005.  The winner of International Artists Fellowship (Arts Council England in partnership with the Leonardo Network and NASA) the artist came into contact with top international astrophysicists, including Andrew Westphal, director of the Stardust Project and with the strange and delicate material that can't be seen and can't be touched without gloves - the Aerogel.
 
The show brought together Art and Science in almost Renaissance manner when both were inseparable.  The eye-catching illusion reflects the artist's lifetime interest in the nature of light and her genuine fascination with it.                                                                                                                                                                               
 
"Good art is a transforming experience for a sensitive person," says Liliane Lijn.  It really is when you think about your place in space.
 
"Stardust Ruins" exhibition will continue at the Riflemaker till the end of summer 2008.  www.riflemaker.org

 Trisha Lambi read interview

    Trisha Lambi participated in the Fourth Edition of the Biennale Internazionale dell’Arte Contemporanea in Florence Italy. Participation in this event was by invitation only and an International Committee chose artists solely on merit. Since then she  has exhibited locally, interstate and internationally and interest in my work is growing.   Trisha Lambi is represented by galleries in Brisbane, Sydney, Melbourne and Wollongong and in private collections in Australia, Spain, China, Germany,  Ireland, Canada, Cyprus and the United States.  

 

 

Interviews

Featured artists
Richard Deutsch
Steven Pratt Elena Ringo Ken Bekles Neil Lawson-Baker

Steven Pratt was born into a farming community in 1950 in Zimbabwe. He spent the greater part of his life there in close association with the land as an artist and farmer until the turbulent social and political upheaval under the current dictatorship brought about his exile to the United Kingdom in 2003. He studied painting at the Rhodes University School of Art in South Africa under Brian Bradshaw, and there worked and exhibited with the Grahamstown Group, an association of landscape painters under Bradshaw’s mentorship. He has exhibited in national exhibitions in major centres in Zimbabwe and South Africa, and has held a number of solo exhibitions in Zimbabwe. His work is represented in the public collection of the National Gallery of Zimbabwe.

Read Interview 

Art Elite Online Magazine is proud to introduce Elena Ringo -one of the most interesting European artists
and a manager of International Art Association Artist Universal.
Her life is as interesting as her works -grown in Moscow, she performed on stage, created an Art Union of painters and published a magazine and poems. Her art is well know all around the world and she has had recently two solo
art shows in Helsinki.
Her exhibitions were met with great interest by artistic and intellectual elite of Helsinki.
Her technical mastery combined with his distinctive and striking use of composition and color enable her to portray real people   and images that arise from the depths of her soul and belong to her alone in a totally unique and artistic way.

Read Interview 
Ken Bekles  is internationally recognized for his photography and paintings. His images are published and exhibited in solo and group shows throughout the United States and Europe.
He recently joined Artist Universal Artist Association.
In his interview with Art Elite
the New York
based artist and photographer
tells Art Elite magazine about
his unique art and
interesting life.

Read Interview 



 Having been exposed to photographic background since birth (Neil's father was a Fellow of the Royal Photographic Society) Neil Lawson-Baker has an eye for absolute perfection. He uses a Nikon D 300 digital camera and a Leaf Aptus 38M pixel back on a Contax 645 camera system to produce quality work.
According to interior designer and journalist Jane Arte Watt "the artist reveals an extra dimension not seen by people in a hurry of everyday life, images that the city itself created, with no computer image processing involved - just an artist's eye and the city."

"The art of photography is not lost with a birth of digital cameras; it has been promoted to the state of photographic art instead of being a simple recording of the vernacular."
(Jane Arte Watt, BIDA "The Role of Photography in Contemporary Interior Design")

Read Interview 

 

Steph Goodger

  Art Elite Online Magazine has an honour to present a painter from France Steph Goodger. She was born in Kent, England, in 1974. Her studio was based in Leeuwarden, the Netherlands, from 2000 to 2001. She exhibited with Galerie De Roos Van Tudor, the Netherlands, until 2006.
In 2004 she moved to the Bordeaux region of France and created the gallery Salon des Fables with Julie McDermott and Julian Rowe. In 2007 Salon des Fables subsequently became the title of an Association which takes exhibitions to new venues, in France initially.

Read Interview 

 

 


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